Tina Willgren is a visual artist working with moving images, installations, and digital environments. She holds an MA from the Royal Institute of Art, Stockholm (2005). Her practice explores the technological and bodily frameworks through which we make sense of the world, often using glitch processes and chance-driven digital environments.

Recent exhibitions include “Fragments of a Present Adrift” at Bienalsur, Centro de Arte de la Universidad de La Plata, Argentina (2025), and the solo exhibition “Ramblings” at Vestfold Kunstsenter, Norway (2024). She has shown at venues including the Prague Biennale, Zachęta National Gallery of Art, and Videonale, Kunstmuseum Bonn. In 2022, she received a two-year working grant from the Swedish Arts Grants Committee, and has held residencies at Kuenstlerdorf Schöppingen, Germany and Riddergade AiR, Viborg Kunsthal, Denmark.

Website: Tina Wilgren

Laetitia Deschamps is a French-Swedish visual artist based in Stockholm, whose practice centers on figures and visceral explorations of corporeality.

Through painting, drawing, graphic works and installations,

she explores this body’s imagistic realm through various forms of transformation. A body that oscillates between fragility and resistance.

Website: laetitiadeschamps.com

Jenny Soep (Scotland/Sweden) is ‘Drawing the Experience’.

Specialising in using live-drawing in different situations – as performance, as a reportage/documentary-illustrator, often focusing on sounds/music, and her #WakingThoughts – a morning practice drawing her dreams, anxieties and regrets.

She has created live drawings for music festivals, cross-innovation conferences, online meetings, as part of theatre

and even projected on Edinburgh Castle for their ‘Castle of Light’ winter festival. She has drawn the likes of Björk, Patti Smith, Prince (RIP), Primal Scream, boy genius, Mogwai, Youssou N’Dour, Catherine Christer Hennix, Pamela Z, Peter Sheppard Skaerved & Yo-Yo Ma.

In performing drawing she has been part of various collaborations with musicians, dancers, actors, poets and even a clown, often improvised, and projecting the drawings large for the audience to see. In her current duo Shapes of Sounds with musician/composer Alexandra Nilsson she has explored different types of drawing during live improvised concerts, including Swedish ‘filmjölk’ (yoghurt product) on a window, charcoal/prepared boards with contact mics, and multiple projectors with iPads.

In her ongoing morning-practice series #WakingThoughts, Jenny draws from her dreams, regrets and anxieties. These have most recently been featured as installations in the exhibitions In The Reach at Detroit Stockholm Gallery, Drawing In at An Tobar, Mull, Scotland, and Falling in Love Outward at Interface, Ireland.

These have most recently been featured as installations in the exhibitions In The Reach at Detroit Stockholm Gallery, Drawing In at An Tobar, Mull, Scotland, and Falling in Love Outward at Interface, Ireland.

Jenny Soep has been featured in various doctoral theses, and publications such as Gabi Campanario’s Sketcher Press/On The Spot as well as Bloomsbury’s Reportage Illustration: Visual Journalism by Gary Embury & Mario Minichiello.

Instagram: https://www.instagram.com/jennysoep

Instagram WakingThoughts series: https://www.instagram.com/jennysoepswakingthoughts/

Fylkingen: https://fylkingen.se/sv/artists/jenny-soep

Shapes of Sounds: https://www.shapesofsounds.com/

Argentinean-Israeli artist based in Stockholm, Sweden. Paula explores the mediums of painting, drawing, sculpture and installation. Old books, found objects, textiles, cardboard, wood, dried flowers, tin foil and baking paper are recurrent materials she uses in her works. Paula deals with a wide range of topics that connect personal and socio-political aspects. Using images from social media, movies, children stories and from her own family albums, she looks into universal subjects that connect with personal experiences.

She is a recipient of the Ministry of Culture 2019 prize for independent artists, and participated in dozens of exhibitions and biennales in Germany, Mexico, Argentina, Serbia, Sweden, and Israel.

Website: www.paulaelion.com

Charlotta Hayes is a Swedish artist interested in telling stories about the untold, the unseen and that which might have been, through the media of photography, video and the written word.

Alongside her art projects, she is writing a screenplay in collaboration with a Stockholm based, international film production team, has experience from film research, subtitling and is a certified video editor.

She has been a member of Detroit Stockholm since 2015. She is currently secretary of the board, and has previously been treasurer, chair and a member of the curating team.

Bluesky: @charlottahayes.bsky.social
Linkedin: www.linkedin.com/in/charlottahayes

My artistic practice is at its core rooted in narratives and the way we understand them. I often use my personal experience as the starting point for a work. By inserting myself and my body into different situations, I seek a direct experience of what I’m investigating. In dealing with narratives it’s also important to look closely at the contexts in which they are created. To be in charge of a story is to be in a place of power. By creating alternative storylines I take this power into my own hands.

In my practice I work experimentally with materials and ideas. I work in a wide range of media depending on theproject at hand. What my works have in common is an affinity for

language. Language has since my early years been the tool with which I make sense of myself and the world. In myart it shows up in a multitude of ways: as performative poems, words embroidered on pieces of cloth and the writtenconcept behind a piece.`

Portfolio website: www.malinneuman.com

Contact:neuman.malin@gmail.com

Sanna Fogelvik is a multidisciplinary artist and architect based in Stockholm. Their work explores emotional relationships between humans and the more-than-human world.

Through 3D animation and experimental photography, Fogelvik examines how imagination and matter overlap, guided by a sense of melancholy and wonder. With a background in architecture, their practice often engages with spatial perception, scale, and texture. Fogelvik has studied at the Royal Institute of Art and the Royal Institute of Technology in Stockholm.

Website: http://www.sannafogelvik.com

Contact: sanna@sannafogelvik.com
Instagram: @sannolika